The Henry Ford
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CCoric Equipment
Shot over two evenings during a narrow weather window. The goal was to catch the cliffs right as the light turned, before the color flattened out.
Unedited crop shown here at full resolution so you can see the actual grain and detail from the original capture.
Commercial Shoots
A texture and light study built entirely in studio. Two passes, several weeks apart, refining how the material reads under different lighting setups.
Second pass moved to a warmer key light, which is the version that made it into the final set.
Story Telling
Early morning light, a long walk, and very little gear. This series is about patience: arriving before the light does and staying until it is gone.
Each frame was taken within the same two-hour window, so the color holds together across the whole set.
Content
A study in pushing the subject to the edge of the frame and letting the empty space do the talking.
Shot wide, cropped in post only when the original framing could not be saved.
